Being Latina/e/o/x Series

Episode 15: Memoir as a Political Act

How can memoir be a political act? When living under oppressive systems, the simple act of standing up and sharing personal stories that go against the mainstream is a political act. Mireya S. Vela and Julián Esteban Torres López meditate on this issue. Vela speaks from the perspective of an author, while Torres López forwards his experience as a publisher. They both explore inequities and injustice and use memoir to challenge, expose, and defiantly try to break down systems of oppression. […]

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A Lack of Serendipity

Part memoir and part computer science lecture, this essay explores how what we think of as inconsequential and what we think of as meaningful interact in a range of experiences, from looking for new music recommendations on Spotify to making sense of a romantic relationship. […]

Photograph by Nathan Walker on Unsplash.
Columns

Confronting Our Creative Fears

Our best work as writers often begins as fear and self-doubt. While it feels like failure, it is actually the call to collaborate with our inner creative forces. The challenge is not to avoid these insecurities but to embrace them and by doing so unlock our own potential. […]

Vincent van Gogh, “Shoes,” oil on canvas, 1888, purchase, the Annenberg Foundation Gift, 1992, The Metropolitan Museum of Art.
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Sad Stuff

When her lifelong best friend died suddenly, Taylor Feld found herself severed from her childhood. “Sad Stuff” celebrates that childhood and explores that friendship, before and after death. It’s about how grief transforms, disrupts, and warps. It’s about the levity we find amidst agony. It’s about love outliving. […]

Photograph by Toa Heftiba on Unsplash.
Womanhood & Trauma Series — "Give Us a Smile"

Finding Jean Palmer

*WINNER OF THE NASIONA FLASH CREATIVE NONFICTION PRIZE, 2019*
“Finding Jean Palmer” recounts a long quest to locate Hannah Huff’s great-grandmother’s grave in a vast memorial park. […]

Blog

The Nasiona Literary Prize Winners

With our literary contests, we look to identify and celebrate some of the best original, unpublished creative nonfiction and nonfiction poetry out there.

_The Nasiona Flash Creative Nonfiction Prize, 2019: Hannah Huff, “Finding Jean Palmer”

_The Nasiona Nonfiction Poetry Prize, 2019: Bunkong Tuon, “A Guide to Parenting” […]

Photograph by Joel Fulgencio on Unsplash.
Columns

Perspective

Perspective is more than just a specific view of things, it is the parallel lines that spread outward in all directions but are all sourced from a singular experience. Memoir doesn’t just ask for the what, but also the why, even if that why can never be answered. […]

Gustav Klimt, "The Kiss," painting, 1907-1908, Österreichische Galerie Belvedere Museum.
Womanhood & Trauma Series — "Give Us a Smile"

Wedding Portrait

Centered around the televised royal nuptials between Prince Harry and Ms. Markle, “Wedding Portrait” tells a larger personal story in which racial boundaries are transgressed and questioned. Jennifer Bostwick Owens describes finding the courage to stand up to external censure and sketches a picture of building a life of evolving, ongoing love. […]

Photograph by Cristian Newman on Unsplash.
Columns

Authenticity in Memoir

What keeps us from being authentic in our writing? Fear, shame, and ego, to name a few reasons, but authenticity can create connection and help readers recognize themselves in even the strangest of stories. To elevate your memoir beyond reminiscing you must bring your most authentic self to the page. […]

An auto-da-fé of the Spanish Inquisition: the burning of heretics in a market place. Wood engraving by H.D. Linton after Bocourt after T. Robert-Fleury. Wellcome Collection.
Book Excerpts

‘Shver tsu Zayn a Yid’

“Shver tsu Zayn a Yid” follows a young anthropologist discovering his own ethnic identity as a Jew. The process was made difficult—potentially dangerous at times—by ‘background’ anti-Semitism exacerbated by Israeli government abuse of Palestinians, and […]

Pierre-Louis Pierson, "Scherzo di Follia," gelatin silver print from glass negative, 1863-66, gift of George Davis, 1948, The Metropolitan Museum of Art.
Womanhood & Trauma Series — "Give Us a Smile"

Picture Days

The worn blue robe, the unfriendly room. I’m just holding it together as I wait for the mammogram to expose parts of me I’d rather keep hidden. I’m wrapped in a blue and white gown, […]

Auguste Rodin, "The Embrace," graphite, watercolor, and gouache, 1900-1910, John Stewart Kennedy Fund, 1910, The Metropolitan Museum of Art.
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Intimacy

Is it a crime that I liked you for the collapsing breadth of your lips? I keep wondering if my life would have been different had I arrived at the party ten minutes later or […]

Henry P. Bosse, "No. 201. U.S. Government Bridge at Rock Island, Illinois (High Water)," cyanotype, 1888, gift of Charles Wehrenberg and Sally Larsen, 2014, The Metropolitan Museum of Art.
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Inside the Engine

I’ve drank in hangers built to maintain the airplanes my grandfather operated on, under the eye of a traffic control tower that’s quiet now in the after-effects of all those solvents. Of course the suds […]

Vincent van Gogh, "Corridor in the Asylum," oil color and essence over black chalk on pink laid ("Ingres") paper, September 1889, Bequest of Abby Aldrich Rockefeller, 1948, The Metropolitan Museum of Art.
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I Saw It All

Beware of the spiritual journey. You may end up in a place that’s not so comforting. I discovered this hard truth at a meditation retreat in the Sierra Nevada foothills. Vipassana Meditation, the time-honored method […]

Francisco Gonzalez photograph on Unsplash.
Being LGBTQIAA+ Series

Softball

Robin Gow reflects on his relationship with his father when they used to play softball together. He recalls the only time he saw his father cry was watching Field of Dreams and explores how the themes of that movie apply to both of their lives. […]

Mireya S. Vela, "With Snake."
Womanhood & Trauma Series — "Give Us a Smile"

Doctores

When people are marginalized, their doctors are, too. A woman remembers her childhood and the decisions she and her family made. Grandmother didn’t like secrets. She said to me, “Secrets come from Satan.” I don’t […]

Edward Lear, "Agia Paraskevi, Epirus, Greece," graphite, pen and brown ink and watercolor, 1857, purchase, Brooke Russell Astor Bequest, 2013, The Metropolitan Museum of Art.
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Passages

Each time I go back to Tirana, I see big changes, but I seek out the old parts of town, the narrow streets, talk to people who live there and people who are visiting, and […]

Odilon Redon, "It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6," lithograph in black on ivory China paper laid down on white wove paper, 1896, The Stickney Collection, The Art Institute of Chicago.
Columns

The Power of Story

Stories are the foundation of our civilizations and our societies. Our legends and myths, our scientific discoveries and our explorations, can inform and influence us both individually and collectively. But what separates us also holds […]

Mansur, "Study of a Nilgai (Blue Bull)," Folio from the Shah Jahan Album, album leaf, ca. 1550, Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955, The Metropolitan Museum of Art.
Book Excerpts

Revel with Ghosts

Two months after losing our infant son, we were just starting to learn the language of signs. In Barcelona, a city whose ghosts seem to rise from the walls, our loss found a welcoming home. […]

Egypt, "Fragment of a Queen's Face," yellow jasper, Dynasty 18, New Kingdom, Amarna Period, reign of Akhenaten, ca. 1353-1336 B.C., The Metropolitan Museum of Art.
Womanhood & Trauma Series — "Give Us a Smile"

Open Season

Blending styles including personal memoir, creative nonfiction, and photography, “Open Season” lyrically explores what it means to be a woman in America. The vignettes present flashes of microaggressions that women suffer and internalize every day, […]

Ernst Ludwig Kirchner, "Peasant and Girl," color etching printed in black, red, and blue, 1921, Gift of Ruth Cole Kalnen, National Gallery of Art.
Womanhood & Trauma Series — "Give Us a Smile"

About Time

My father, born in Hungary in 1906, was often mistaken for my grandfather. Nowhere was the cultural divide between us more pronounced than on a trip to Budapest in 1969. We both let each other […]