Publishing has a race problem. Entertainment Weekly reported that only 7.8% of romance authors using a traditional publisher were people of color in 2016. For that same year, NPR found that only 22% of all characters in children’s books were characters of color.
This, in a country where people of color are expected to make up more than half of the population by 2044 according to The Center for American Progress. For this reason, writers like Anika Fajardo, who is Colombian and white, and F. Douglas Brown, who is African American and Filipino, are more important than ever. Both were contributors to The Beiging of America, mentioned in our last episode.
F. Douglas Brown an author and educator who currently teaches English and African American Poetry at Loyola High School of Los Angeles. He is co-founder and curator of un::fade::able – The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism.
Anika Fajardo was born in Colombia and raised in Minnesota. She is the author of Magical Realism for Non-Believers, about discovering her Colombian father and Colombian culture. Her first novel, What If a Fish, will tackle very similar themes.
The Nasiona Podcast shares stories that explore the spectrum of human experience and glimpse into foreign worlds. We focus on stories based on facts, truth-seeking, human concerns, real events, and real people, with a personal touch. From liminal lives to the marginalized, and everything in between, we believe that the subjective can offer its own reality and reveal truths some facts can’t discover. Hosted, edited, and produced by Julián Esteban Torres López.
Julián Esteban Torres López is a Colombian-born journalist, publisher, podcaster, and editor. Before founding the nonfiction storytelling organization The Nasiona, he ran several cultural and arts organizations, edited journals and books, was a social justice and public history researcher, wrote a column for Colombia Reports, taught university courses, and managed a history museum. He’s a Pushcart Prize and Best Small Fictions nominee and has written two books on social justice. Torres López holds a bachelor’s in philosophy and in communication and a master’s in justice studies from University of New Hampshire and was a Ph.D. candidate at University of British Columbia Okanagan, where he focused on political science and Latin American studies.
Aïcha Martine Thiam is a trilingual writer, musician, and artist who goes where the waves take her, and an Assistant Editor at Reckoning Press. She will quote obscure film facts at you, unprovoked. Her collection of poems, “AT SEA” was shortlisted for the 2019 Kingdoms in the Wild Poetry Prize. Some words found or forthcoming in: Berfrois, The Rumpus, Bright Wall/Dark Room, Metaphorosis, South Broadway Ghost Society, RIC Journal, Lamplight, TERSE. Journal, Gone Lawn, Truancy Mag, Crack the Spine, Confessionalist Zine, Ghost City Review, Rogue Agent, Boston Accent Lit, Déraciné.
NICOLE ZELNIKER is a graduate of the Columbia Journalism School and an editorial researcher with The Conversation US. Her work has appeared on The Pulitzer Prizes website and in USAToday and Yes! Weekly, among other places. A creative writer as well as a journalist, Nicole has had several pieces of poetry published including “Cracks in the Sidewalk” (Quail Bell Magazine) and “Surge” (The Greenleaf Review), as well as three short stories, “Last Dance” (The Hungry Chimera), “Dress Rehearsal” (littledeathlit), and “Lucky” (Fixional). Zelniker’s book, Mixed, is a work of non-fiction about race and mixed-race families.