Photograph by Cristian Newman on Unsplash.
Columns

Authenticity in Memoir

What keeps us from being authentic in our writing? Fear, shame, and ego, to name a few reasons, but authenticity can create connection and help readers recognize themselves in even the strangest of stories. To elevate your memoir beyond reminiscing you must bring your most authentic self to the page. […]

Stéphan Valentin photograph on Unsplash.
Womanhood & Trauma Series — "Give Us a Smile"

Swallow

Framed by the four phases of swallowing, “Swallow” is a personal essay about my first drinking experience and its aftermath. It investigates adolescent friendship, explores mother-daughter relationships, and blurs the line between teenage rebellion and addiction. […]

Bruce Christianson, "Underwater Fashion shoot testing with Sophie in a brightly colored flowing dress swirling with reflections on the under-surface of the pool," photograph, Unsplash.
Womanhood & Trauma Series — "Give Us a Smile"

Miscarriages of Social Justice

Kelly A. Dorgan recounts her two miscarriages, including one that lasts eight months. Gazing at these experiences through the lens of intersectional feminism, however, she gains improved sight. Born out of her failed pregnancies are her new eyes, eyes that better see the twisting shadows of privilege, inequalities, and oppression across the female body. […]

An auto-da-fé of the Spanish Inquisition: the burning of heretics in a market place. Wood engraving by H.D. Linton after Bocourt after T. Robert-Fleury. Wellcome Collection.
Book Excerpts

‘Shver tsu Zayn a Yid’

“Shver tsu Zayn a Yid” follows a young anthropologist discovering his own ethnic identity as a Jew. The process was made difficult—potentially dangerous at times—by ‘background’ anti-Semitism exacerbated by Israeli government abuse of Palestinians, and […]

Pierre-Louis Pierson, "Scherzo di Follia," gelatin silver print from glass negative, 1863-66, gift of George Davis, 1948, The Metropolitan Museum of Art.
Womanhood & Trauma Series — "Give Us a Smile"

Picture Days

The worn blue robe, the unfriendly room. I’m just holding it together as I wait for the mammogram to expose parts of me I’d rather keep hidden. I’m wrapped in a blue and white gown, […]

Auguste Rodin, "The Embrace," graphite, watercolor, and gouache, 1900-1910, John Stewart Kennedy Fund, 1910, The Metropolitan Museum of Art.
Uncategorized

Intimacy

Is it a crime that I liked you for the collapsing breadth of your lips? I keep wondering if my life would have been different had I arrived at the party ten minutes later or […]

Henry P. Bosse, "No. 201. U.S. Government Bridge at Rock Island, Illinois (High Water)," cyanotype, 1888, gift of Charles Wehrenberg and Sally Larsen, 2014, The Metropolitan Museum of Art.
Uncategorized

Inside the Engine

I’ve drank in hangers built to maintain the airplanes my grandfather operated on, under the eye of a traffic control tower that’s quiet now in the after-effects of all those solvents. Of course the suds […]

Vincent van Gogh, "Corridor in the Asylum," oil color and essence over black chalk on pink laid ("Ingres") paper, September 1889, Bequest of Abby Aldrich Rockefeller, 1948, The Metropolitan Museum of Art.
Uncategorized

I Saw It All

Beware of the spiritual journey. You may end up in a place that’s not so comforting. I discovered this hard truth at a meditation retreat in the Sierra Nevada foothills. Vipassana Meditation, the time-honored method […]

Francisco Gonzalez photograph on Unsplash.
Being LGBTQIAA+ Series

Softball

Robin Gow reflects on his relationship with his father when they used to play softball together. He recalls the only time he saw his father cry was watching Field of Dreams and explores how the themes of that movie apply to both of their lives. […]

Mireya S. Vela, "With Snake."
Womanhood & Trauma Series — "Give Us a Smile"

Doctores

When people are marginalized, their doctors are, too. A woman remembers her childhood and the decisions she and her family made. Grandmother didn’t like secrets. She said to me, “Secrets come from Satan.” I don’t […]

Edward Lear, "Agia Paraskevi, Epirus, Greece," graphite, pen and brown ink and watercolor, 1857, purchase, Brooke Russell Astor Bequest, 2013, The Metropolitan Museum of Art.
Uncategorized

Passages

Each time I go back to Tirana, I see big changes, but I seek out the old parts of town, the narrow streets, talk to people who live there and people who are visiting, and […]

Odilon Redon, "It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6," lithograph in black on ivory China paper laid down on white wove paper, 1896, The Stickney Collection, The Art Institute of Chicago.
Columns

The Power of Story

Stories are the foundation of our civilizations and our societies. Our legends and myths, our scientific discoveries and our explorations, can inform and influence us both individually and collectively. But what separates us also holds […]

Mansur, "Study of a Nilgai (Blue Bull)," Folio from the Shah Jahan Album, album leaf, ca. 1550, Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955, The Metropolitan Museum of Art.
Book Excerpts

Revel with Ghosts

Two months after losing our infant son, we were just starting to learn the language of signs. In Barcelona, a city whose ghosts seem to rise from the walls, our loss found a welcoming home. […]